Works from Simon Roberts's series, Cathedrals Are Built in the Future, are included in this group exhibition by Cuban and European artists. 

In the absence of an all-encompassing communist state and in a post-Castro era, religious practice in Cuba has been allowed to grow and now forms an important part of contemporary society.  The interaction of faith and culture has been influenced by a high degree of religious diversity that has come to be regarded as a hallmark of Cuban identity, or cubanidad.

This series of large-format landscape studies of places of worship form a visual timeline of Cuban religious history. Shot on a large-format camera, Roberts's highly detailed yet intimate photographs reveal a surprising range of architectural forms. The subtle attention to colour, light and scale, combined with the emptiness of each setting, where humans are omitted or their presence kept to a minimum, imbues each scene with a metaphysical quality.