Edmund Clark’s White Cliffs series has been featured in the FT Weekend Magazine's photography special The Coast.
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For this long term project, Clark returned to the coastal town of Dover (his birthplace) to reflect its historical significance as the UK’s frontier to continental Europe.
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“The divisions created by the Brexit debate moved me to walk its streets. Current political and social tensions sustain this imperative. This is a work in progress. It’s a personal reflection on the area’s significance through its architecture, landscape and the geology of chalk: this slab of whiteness, beneath the South Downs, that erodes as the cliff face meets the elements at Dover,” says Clark.

Click here to read the feature.